A Developing Collection of Architecture, Studio Art, Design, and Fashion composed under one site,
A Body Of Work by:
CAMPBELL BROD
Campbell Brod is a studying architect at Wentworth Institute of Technology. He is also a practicing Designer and Artist in Boston
VANISHING ACTS
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(SIX)
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EXHIBITION
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VANISHING ACTS + (SIX) + EXHIBITION +
Surveillance methods and technologies have become increasingly ambiguous in their integration into daily life, they mediate how individuals are imaged, monitored and processed into documented data shadows. Such imaging systems have altered the ways in which we navigate our physical and digital environments, particularly in the domestic setting. By developing architectural operations of countermeasure, the spatial image or capturability of the home can be actively resilient by negotiating its relationship with the ubiquitous digital surveillance state. Architecture as a mode of instrumentation can operate as a medium to reposition ideas of visibility and privacy through optical manipulation and obfuscation techniques, enabling new ideas of challenging agency in surveillance. The project reconsiders the domestic suburban landscape as a testbed for architectural resistance, where concepts of privacy not only independently aim to conceal but also actively control their mediated imagability. In manipulating the suburban residential module, the homes are transformed into sites of ambiguity, questioning the interactions between built space and methods of surveillance.
NOW
OPTICAL LIVE
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EXHIBITION
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OPTICAL LIVE + EXHIBITION +
The exhibition installation Optical LIVE examines methods and systems of surveillance as both a technological infrastructure and spatial condition, examining how it fragments, reconstructs, and redefines our understanding of identity and space. Through a series of model instruments and projection installations, the exhibition deconstructs the way surveillance is measured, experienced, and interpreted through the act of observing and being observed. By conjoining the phenomena of contemporary technical surveillance infrastructure with a series of speculative disjunctions, the exhibition situates surveillance not only as a mechanism of image information data but as a spatial and cultural complexion. It invited an architectural rethinking of how surveillance as an integral system, interface, and operable condition can affect how we inhabit, perceive, and design space.